Carlos Tapia
TorbellinoInquire about availability
- Year
- 2011
- Technique
- Acrylic/Canvas
- Dimensions
- 133 × 99 cm
- Status
- Inquire about availability
- Palette
- cerulean blue, ochre, magenta pink, violet, bright green
- Brushwork
- Flat, saturated color fields delimited by thick black contours, with circular, visible brushwork in the central swirl.
Curatorial analysis
Curatorial analysis
A dizzying vanishing point seizes the viewer's gaze from the pavement and shoots it toward the zenith. The skyscrapers do not merely rise; they curve, tilt, and converge into an enclosure that almost seals off the atmosphere, leaving only a circular skylight where the sky churns like a blue and white whirlwind. Carlos Tapia dismantles the severe orthogonality of the contemporary metropolis to turn it into a spiraling amphitheater, where each facade takes on an elastic and vibrant physiognomy.
This optical distortion, akin to a fisheye lens, finds its counterweight in an unrelenting graphic line. Each block, window, and ridge is bound by thick black outlines that fragment the architecture into autonomous facets, as though the city had been reconstructed from the pieces of a stained-glass window. Within this profane mosaic, the planes are saturated with vibrant ochres, magentas, violets, oranges, and greens that collide without somber hierarchies, generating a rhythmic drive that compels the eye to circle the perimeter before plunging toward the void above.
Across the canvas, the medium operates at two complementary speeds. Across the buildings, flat, even color predominates, applied with a graphic precision that reinforces tonal contrasts and the luminosity of each geometric cell. At the upper core of the painting, by contrast, the acrylic adopts a circular, tangible gesture: the blue of the sky does not rest, but rather spins in concentric waves of looser handling, revealing the sweep of the brush around an eye of the storm that pulls the entire structure inward.
The contradiction between an architecture disciplined by bold black lines and the centripetal pull of the void imbues the scene with a playful vitality. Rather than suggesting the oppression or claustrophobia of urban congestion, the composition celebrates an exhilarating vertigo, a chromatic feast where the buildings seem to lean in not to collapse, but to peer into the celestial vortex. It is a living city, where the density of concrete dissolves into pure light and movement.
More works by Carlos Tapia
153 works
Available works
- El ojo del HuracánCarlos Tapia · 2010
- Celaje UrbanoCarlos Tapia · 2009
- RascacielosCarlos Tapia · 2011
- Las Luces de Nueva YorkCarlos Tapia · 2015
- Escalera al CieloCarlos Tapia · 2019
- TapialandCarlos Tapia · 2016
- El CircoCarlos Tapia · 2022
- CiudadCarlos Tapia · 2022
- Sagrada FamiliaCarlos Tapia · 2019
- Piscina en el PenthhouseCarlos Tapia · 2015
- Escalera de CaracolCarlos Tapia · 2013
- Catedral SumergidaCarlos Tapia · 2010
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