Eugenia Andrade
Obsesión
- Year
- 1998
- Technique
- Mixed Media
- Dimensions
- 120 × 100 cm
- Status
- Available
Curatorial analysis
Curatorial analysis
A hieratic stillness commands the center of the canvas, while around it everything pulses, vibrates, and overflows. The face, constructed with an almost Byzantine linear economy and a palette of pale flesh tones touched by faint pink flushes, holds a frank gaze fixed on a single point, detached from the decorative whirlwind surrounding it. This frontal serenity acts as an anchor against a vortex of filigrees, coiled curves, and color fields that deny any truce to emptiness across the surface.
The space is articulated through a constant tension between the sculptural containment of the figure and the cumulative vertigo of its borders. The hair and mantle do not operate as mere accessory garments, but rather as the cartography of a mind in turmoil, where tiny sailboats navigate, and starfish, sea shells, and stylized fish float. Sinuous lines in magenta, cobalt, and ochre intertwine with reticular grids and rhythmic dot sequences, weaving a visual polyphony that evokes the fixation of a recurring thought. These rhythms alternate the fluid cadence of waves with the geometric order of the check patterns supporting the lower chest.
Across the support, the material manifests through a clean and deliberately two-dimensional handling. Calligraphic outlines firmly demarcate each motif, lending the pigment the graphic quality of a mosaic or textile print, where luminous contrasts do not rely on traditional chiaroscuro, but on the stark adjacency of pure whites, luminous pinks, and heavily saturated marine backdrops. A meticulous patience inhabits the surface treatment, turning the painterly gesture into a reiterative litany.
Beneath this formal profusion, the canvas offers an immersion into psychic interiority. The portrayed woman does not inhabit a nautical landscape: she engenders it, bears it, and unfurls it like an uncontainable crown. Her enigmatic muteness ultimately reveals that this ocean of symbols and ornamental tides does not belong to the outside world, but to the circular insistence of memory, to that suspended thought that refuses to dissipate.
More works by Eugenia Andrade
23 works
Available works
- DualidadEugenia Andrade · 2006
- SoledadEugenia Andrade · 2006
- Navidad en el CaribeEugenia Andrade · 2006
- Tormenta en el CaribeEugenia Andrade · 1987
- Mujer IEugenia Andrade · 1998
- Mujer con Penacho de ColoresEugenia Andrade · 1996
- IraEugenia Andrade · 1994
- BarcaEugenia Andrade · 1990
- La Luna RojaEugenia Andrade · 1985
- Rancho NegritaEugenia Andrade · 1985
Inquire about availability
- Estática en el Altar de ArmamentosInquire about availabilityEugenia Andrade · 2006
- Diosa de FloresInquire about availabilityEugenia Andrade · 2007
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